What Do You Watch? Part III

So the week goes Sunday, Monday…and here we are at Tuesday.  What does the girl who watches more television than professional critics watch on a Tuesday?

Tuesday brings me a dilemma. Not because there’s too much to watch or because I have some “real life” Tuesday responsibilities.  Tuesday is a dilemma because of Glee.

Glee: I started out really enjoying this program, and not just because “Don’t Stop Believing” by Journey is one of the greatest songs ever made.
http://youtu.be/5WxPyUzWSPA

(I watch this now and feel a sadness, at how great and joyous things used to be…not what I’m sure the producers wanted)

This was something that celebrated “those” kids in high school. The ones who didn’t really fit in, who liked showtunes and didn’t play organized sports. It made following your dreams seem corny but cool. And there were some great musical numbers. But then the show became unsure of where it wanted to go and what it wanted to be. From Terri’s fake pregnancy, to Quinn dating every guy on the show to Rachel’s personality making her come across like she’s a schizophrenic. And then there were the theme episode, all the theme episodes.

Part of the problem is that they put so much into the first season, where do you go from there? They just seemed to be creating drama and problems where they didn’t exist and took the show further and further away from any semblance of reality. And every time I say to myself “That’s it. I’m done,” I’d catch an episode that had a glimpse of what I loved about the show to start with. So I’m still watching it. Usually I feel dirty afterwards, but I’m still watching it.

New Girl: All cutesy girly crap aside, I like Zooey Deschanel. I don’t really want to get into that feminist debate about whether or not what she is doing and the persona she is portraying is bad for ladykind, but I will say that she doesn’t represent me or any of my friends. But I love New Girl. I love it more now that Nick and Schmidt have come to the front and get equal screentime with Deschanel’s Jess, and sometimes even stealing the spotlight from her. The show is still struggling with its growing pains as it is in its first season, but I have faith in where its going. I hope they don’t put Nick and Jess together too quickly and by the same token, I don’t want them to turn the whole show into a will they/won’t they plot. Yes, at some point Nick and Jess will figure it out. Until then, let’s enjoy the ride shall we? Also — please make Coach a babysitter again. That stuff was great.

Raising Hope: Even though I watched the first few seasons of My Name is Earl at some I feel I must have stopped, but I don’t really remember it too well. But while I was watching it, I thoroughly enjoyed My Name is Earl. And I thoroughly enjoy Raising Hope also by Greg Garcia.  Of course the show is owned by Martha Plimpton and Garrett Dillahunt as the parents of the feckless Jimmy, who impregnated a serial killer in the pilot episode, from which came the Hope in the title. Plimpton and Dillahunt take characters who might be considered poor white trash, and elevates them. I look forward to Plimpton’s malapropisms every episode. And in the second episode, they even managed to make Jimmy interesting. His relationship with Sabrina finally turned the corner in the best episode of the season. It was touching and sweet and felt earned. They didn’t get together simply because the plot demanded it – they got together because their characters got there.

And, just as with My Name is Earl, the other characters that populate the show help bring me back every week. Especially Kate Micucci’s (from Garfunkel and Oates) Shelley, who bring’s Micucci’s great song writing skills into play as she manages her daycare for dogs, kids, and old folks:
http://youtu.be/clUEQU7WADw
http://youtu.be/nIl9Jvbq79U

Of course who can forget the great “introducing Cloris Leachman” in the credit. Leachman maintains her dignity as Maw Maw, even when Maw Maw is topless.

Cougar Town: I know ABC won’t renew Cougar Town this time. I’m sad, but resigned. The fact that we got even three seasons is worth celebrating. Bill Lawrence has admitted that the biggest problem with Cougar Town started with the name – even though mid-way through season 1 the show was no longer about a middle aged woman chasing younger men, the title is the title. And as all the fans will agree, the show never got a fair shake. But I ask you — who doesn’t want to watch a bunch of amusing friends hanging out together, drinking wine, and having shenanigans?

They floated the idea that perhaps they’d change the name of the show before it came back for its second season. While that never happened, we do get a little joke with every title card, mocking the actual title:

Someone has even collected all the title card jokes, god bless them.  Of course this just scratches the comic surface. I mean, Christa Miller alone is reason to keep this show on forever and ever…

Jules, Grayson, and Big Carl

But it is not to be. I will just have to get my own Big Carl, fill it with wine and enjoy the Cul du Sac Crew until such time as it is no longer possible.

Parenthood: I had to think hard on this one since it aired its season finale back in February. This is a show that has collected some of my favorites from other TV shows: Lauren Graham from Gilmore Girls, Peter Krause from Sports Night and Six Feet Under, Craig T. Nelson from Coach, and Mae Whitman from Arrested Development (Egg!). Plus I think I’m one of the few people who has always liked Dax Shepard. It can be cheesy and silly and I can’t really listen to any more talk of the “Bravermans” like they are a tribe unto themselves, but Parenthood fills a niche that isn’t really filled on TV right now: the honest, emotional, funny family drama.

Nothing like the Bravermans sitting around, having dinner, talking about being Bravermans...

Based on the movie with the same name, for every cliched moment Parenthood succumbs to, there is a moment that is truly touching and real. Sarah Ramos’ Haddie isn’t a teenager that would fit in well with Gossip Girl or The Vampire Diaries, because she’s too busy being a real teenager to indulge in that crap. When she blew up after her brother Max who has aspergers ran away to the museum, you felt her anger, her frustration at always having to keep it together because Max cannot handle change or stress. The police brought Max home and Haddie lost it yelling at her brother:  “Do you care? No, you don’t,” and then she turned to her parents and could barely tell them “It’s so hard. It’s not fair. We try so hard to make things normal, and it’s just not.” When her dad, the excellent Peter Krause, went to check on her she told him “I guess it’s not fine, but it is the way that it is, right? So . . .I know it’s not his fault, but it just sucks a little.”

This is an incredibly honesty that you rarely see on television, especially one so focused on family drama (which of course is silly because that is exactly the place for such honesty).

Ok. So that’s Tuesday. Not too bad. Manageable even!
On to Wednesdays!

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New Trailer: Prometheus (version 100)

It’s another day and that means time for another Prometheus trailer.

This one shows a lot more than any of the others, so anyone who wants to know nothing about the film before seeing it, you’ve been warned.

So Charlize Theron is the Paul Reiser character from Aliens, Michael Fassbender is Bishop and Nomi Rapace is Ripley. Hell, Rapace even wears underwear to battle the aliens (so it seems).

But of course I am giddy with excitement for June 1. Damn you Ridley Scott.

@Prometheus

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Young Nathan Fillion or Cpt Hammer Wears Tight Shorts

So yesterday, Nathan Fillion aka Captain Hammer aka Richard Castle aka Mal, tweeted the following:

Lucky for us, someone found said photo:

They grow 'em big in the Great White North

This is so dated it kills me – from the jean shorts to the roller blades with the Canadian flag on them.

Adorable.

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Game of Thrones: Stannis is no ham

I have found it interesting, if not educational, to rewatch each week’s Game of Thrones episode on HBOGo with the interactive features.  The commentary of the crew is particularly insightful, from how the gates and costumes of Qarth were created to how they made Harrenhal look cursed. @GameofThrones

Only 4 episodes into season two and we already have more overt magic than we’ve yet seen, dragons aside. When I explain to people who are skeptical about Game of Thrones that it is less a fantasy than a story of a great power struggle and all who are effected by it, both high and low, I cannot forget that there is magic. There is fantasy. But that is nothing for the show, or its fans, to be ashamed of. Genre fiction can be some of the most creative and inventive out there. And when the birth of this smoke demon means more than just “uh-oh bad news,” when it shows the chinks in someone’s honor and the beginning of someone else’s disillusionment, the fantasy elements work to serve the story, never the other way around. Something to remember as the debate over the value of fantasy will no doubt rage on…

The episode opens with Lannister men debating the various warriors – the Mountain vs Jaime vs Loras Tyrell, with the appropriate gay joke about Loras and Renly (if only they knew about their chest shaving exploits).  And yes, the infamous fart scene, which of course leads to Robb’s direwolf, Grey Wind, attacking as only a direwolf can. Robb and his men look on, ready to attack themselves.

After the battle Robb and his bannerman Roose Bolton (whose name will make those of us who have read the books perk up indeed) are surveying the battlefield. As much as Roose Bolton wants Robb to either kill or torture the Lannisters who are left, Robb knows that his own sisters are prisoners with the Lannisters and wouldn’t do anything to cause them harm. Bolton reminds Robb, “The high road’s very pretty, but you’ll have a hard time marching your army down it.”

What we see this episode, time and time again, is how the little people suffer when the nobles play at war. All the soliders who fight for either Stark or Lannister, all die in pain on the battlefield. Robb is definitely more of a humanistic ruler than Joffrey – or Stannis for that matter – but it takes some reminding for him to remember that ruling is not just winning the war. He can’t just beat the Lannisters and head back to the North and continue his life as before. Talisa the battlefield nurse is the one who reminds him and of course, like so many men, he is attracted to the one that calls him on his bs.

Robb is clearly the one who seems to be the best warrior of the four kings battling it out for the throne, even if he doesn’t want it. But does being the best warrior make him the best man to rule? It seems that was Robert’s problem – even though I think it’s not a stretch to say that Robb is probably a better person all around than Robert ever was. The right person to win is not always the right person to rule. So who do you root for…?

Someone who desperately needs to be called on his bs is Joffrey who is introduced this week with a crossbow pointed at Sansa, who should pay for her brother’s success on the battlefield. Of course because is he a cruel boy, not a stupid one, he has Ser Meryn beat her publicly – but to leave her face because Joff “likes her pretty.” Thankfully Tyrion shows up before things get too far and before Meryn fully strips Sansa. Tyrion delivers one of his many wonderful quips in this scene when he shows Meryn the difference between educating someone and a threat:

via prettygameofthronesgifs.tumblr.com

Tyrion, continuing to show his kindness to those sorely in need, helps Sansa up and even offers her the option of canceling out her engagement to Joffrey. Sansa is so grounded in self-preservation that even now she replies something about how she loves her Lord Joffrey.

While Tyrion thinks that Joffrey might just need to get his rocks off, Bronn wins this week’s quip-off by reminding Tyrion,

Via imperialbedrooms.tumblr.com

It is with the best of intentions that Tyrion buys Joffrey the 2 prostitutes, but he seems to underestimate the depths of sickness in his nephew. In order to teach his uncle a lesson, Joffrey forces the ubiquitous prostitute Ros to beat the living crap out of the other nameless whore. Of course this goes beyond just wanting to show his uncle who’s boss; Joffrey is a sick and twisted person who clearly gets off on the pain and suffering of others. I guess HBO just wanted to remind us of this fact in no uncertain terms.

Cruelty seems to be par for the course in this week’s episode as we move towards Harrenhal. Harrenhal is a cursed castle that has the look of melted candles, thanks to the dragon attacks when the Targaryens originally took over Westeros, all those years ago.

It also smells of dead people.

Arya, Gendry, Hot Pie and the rest of the Night’s Watch recruits who were captured once Yoren (RIP) was killed, are dropped off in this hellhole. Every day the Mountain, brother to the Hound, picks one of the prisoners to be tortured by the Tickler and Polliver. Every day a prisoner dies, with their heads thrust upon a pike. It is at Harrenhal that Arya starts her litany of those she will kill, taking her cue from Yoren’s story: Joffrey, Cersei, Ser Ilyn, The Hound. And before long, she’s added in those she’s “met” at Harrenhal.

The next day Gendry finds himself chosen for the rat bucket and before it goes too far, Lord Tywin Lannister rides up and chastises those in charge for killing able bodied men. He also sees immediately that Arya is a girl and has her cleaned up so she can become his cup bearer. This cannot end well.

Before we leave Harrenhal, did anyone notice that in the credit, Harrenhal is one of the locations that doesn’t have much in the way of the clockwork  animation. It is as broken and worn down once it is “built up” as it is when the sun first passes over it.

Even the computer animated version looks cursed

Back in the camp with Renly, Littlefinger has come to make peace. Of course Renly doesn’t particularly care for Littlefinger, and the feeling is more than mutual. And even as Littlefinger offers Renly the option of finding the gates to Kings Landing open upon his arrival, Renly knows better than to trust him. Oh, if only Ned had been as smart.

After hinting to Margaery Tyrell that he knows a bit more about her marriage than she would like known, Littlefinger wastes no time making his move on Catelyn, even after betraying her husband. Her disgust is palpable. I have to hand this episodes most affecting moments to Michelle Fairley. When Littlefinger gives her back Ned’s body (or just head?), she plays the hell out of that moment. In the books it was always clear that Cat loved Ned, even if she was originally to marry his older brother. Michelle Fairley never lets us doubt that in the show.

Renly and Stannis parlay on a beautiful and windy coast. Stannis is just as unwielding and ill-humored as ever. Renly as jocular and mocking. When Melisandre says that Renly should bow to his brother who has been born in salt and smoke, Renly wins second place in this week’s quip-off by responding,

via song-of-ice.tumblr.com

Renly assumes Stannis has found religion in as much as he has found himself a religious mistress. As Cat tries to talk them into dealing with each other civilly, as brothers, Renly and Stannis part ways. Renly muses, “Can you believe that I loved him once?”

The other new location in this week’s credits was Qarth, the greatest city that ever was or ever will be, found over the Shivering Sea.

An oasis in the desert

It is here that we finally see movement with Dany’s story. She and her Dothraki “horde” have been invited to this great city, something that she sees as her only salvation. However, when they arrive, the city’s rulers, the Thirteen will grant admission only if they get to see the dragons. Despite losing her husband, her child, most of her people, when Daenerys threatened to destroy Qarth once her dragons were grown, I fully believed her. Emilia Clarke has always done a good job making Dany’s journey from sheltered girl to the Mother of Dragons a believable one, but this week she showed just how dangerous Dany can be when threatened.

Merchant Xaro Xhoan Daxos offers to vouch for Dany and her people, and they are let in through the walls of Qarth.

Dany's possible salvation

Of course the best part of this episode comes at the end. As much as Davos wants to believe in Stannis, believe that he is a good person, a just ruler, I have a feeling he is bound for disappointment. Not only is Stannis a grammar Nazi (the whole fewer vs less mistake doesn’t bother me as much as the “between you and I” mistake does), but he has no problem using black magic to get what he wants. But Davos is so devoted to Stannis that he will do his bidding, no questions asked. I suppose when someone takes your fingers but spares your life, you always love them just a little bit?

Davos uses his smuggler past to row Melisandre to some secret entrance where she first taunts him, saying that Davos wants to see what is under robes. That is nothing compared to what happens once she actually does take off her robe. I don’t know if this magic pregnancy is a direct result of her sexual encounter with Stannis on his map/table, but she is clearly pregnant with something, not someone. She proceeds to give birth to the Lost smoke monster (and yes, I know everyone on the interweb has made this joke), much to Davos’s horror. It is pretty horrific, the little claws grasping Melisandre’s legs as it emerges from between her legs, the mewing sounds it makes as it is born into the world.

I don't think his future is selling Avon

This is not a creature bred and born to do good. And my suspicions are we will found out very early in episode 5 just how much not-good it’s bound for.

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Movies and texting. No. Just No.

A week ago I went to see Cabin in the Woods. Great film. Funny as hell. If not scary, then definitely suspenseful at just the right moments.

Unfortunately, quite a few people in the theater didn’t listen to the Lorax who in a pre-show message, told us not to use our cell phones (or talk or loudly eat ham hocks) so that everyone there can enjoy the show. Every couple of minutes, out of the corner of my eye I would see a light go off. Someone was receiving or sending a text, or tweeting, or checking their email.  It was not just annoying, it was incredibly distracting and beyond infuriating.

This has been happening more and more at every movie I go to that isn’t at 10 am. I’ve even been known to politely suggest to the offender that they stop what they’re doing before I go medieval on their ass, so to speak.

But apparently, not everyone sees eye to eye with me and I don’t understand the debate.

Deadline is reporting that at CinemaCon, some movie theater owners discussed the possibility of allowing people use their cell phones to text during the movies.

What no one can, apparently, live without

Apparently, they think that movies without texting is only for the baby boomer generation and that to appeal to the youth demographic, they need to bend the rules,

IMAX’s Greg Foster seemed to like the idea of relaxing the absolute ban on phone use in theaters. His 17-year-old son “constantly has his phone with him,” he says. “We want them to pay $12 to $14 to come into an auditorium and watch a movie. But they’ve become accustomed to controlling their own existence.” Banning cell phone use may make them “feel a little handcuffed.”

Because god forbid they feel “handcuffed” because they can’t text their friends about the minutiae in their lives for 80-120 minutes once every few weeks…if that. Isn’t part of the problem that no one has an attention span anymore? We demand to be entertained constantly, but cannot sit still long enough to enjoy that entertainment. Even reading books, the one thing where you had to pay attention, no longer requires that, thanks to the iPad and e-readers that allow you to play solitare, check your email, and stalk exes on Facebook.

I cannot believe that the younger generations are so absolutely reliant on tweeting and texting that they wouldn’t pay money to see the movies they want to see, unless allowed to actively use their cell phones. And looking at the box office grosses for movies like The Hunger Games, every Harry Potter movie, and even the Twilight saga “films”, I don’t think I’m going out on a limb by saying that. To paraphrase Field of Dreams, “if you make it good, they will come.”

Performing arts theaters around the country are facing the same dilemma – decreasing receipts – and have created the concept of “tweet seats.” These are seats in the back sections of the theaters which are saved for those who want, nay NEED, to be on their cell phones during a live performance. I cannot even beging to understand why someone would think this is a good idea during a LIVE performance.  In a dark theater, you can’t tell me the cast won’t be seeing the flashing lights every time someone decides to text their friend “lol” or comment on someone’s latest instagram photo of their lunch.

Personally I don’t get this concept — If you paid $75 to listen to some people sing and dance their hearts out, wouldn’t it make sense to pay attention to what’s in front of you?

Live theater aside, if theater owners are worried about people not showing up to movies, I say look beyond the lack of cell phone usage. We are not living in the golden age of cinema. There are more movies that come and go and don’t make a ripple in the public consciousness than ever before.  Even movies with rainmakers like Tom Hanks aren’t hitting home. But why did not one see Larry Crowne? Because it sucked. It wasn’t because someone couldn’t text; it was because the movie was boring and unbelievable and downright bad.  Without something appealing to see, no matter of lax rules about cell phones will fill the rows.

I don’t recall hearing that getting everything you wanted was good for you. In fact, as Bill Waterson so eloquently had Calvin put it:

He's mocking, but he has a point

Being unhappy and not always immediately gratified does in fact build character. It teaches you patience and self control. And, in the case of making kids wait to use their cell phones, sometimes keeps you from becoming a public nuisance.

So, where’s the debate? Increased attention span, character-building delayed gratification, getting what you paid for, not being a jerk to others in public…
Seems like no texting in the movie theater is a win win.

Last word on the subject should go to the Alamo Drafthouse who made the news last summer when they posted the following video message, clearly taking pride in their desire to stick with the “old way”:

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Fringe Gets 5th Season. Observers Nod Silently.

As much as everyone talks about Lost changing TV, I think Fringe has been just as instrumental…even if the effects haven’t been as wide-reaching…yet.

Fringe created not one, not two, not three, but FOUR universes (for those who are wondering: us, them, us – peter, them – peter).  And each of these universes were wholly believable, even when the Statue of Liberty was gold instead of copper green.

Gold AND the headquarters of the Department of Defense. Will wonders never cease?

Fringe is a show that is bold enough to have an episode like last week’s Letters of Transit, that travels into the totalitarian Observer-run future, only to tease us with this entirely different storyline that will never be resolved. The darned episode even ended on a cliffhanger. And I not only was OK with that, I loved it.

Fringe even managed to intrude on that rating juggernaut American Idol. Can you spot the Observer in the audience?

The Observer agreed with Simon.

Luckily, Entertainment Weekly just reported that the struggling show with a rabid fan base (these days it seems that’s the norm, rather than the outlier) will get a final season. 13 episodes to finish telling the story begun in amber.

Fox entertainment president Kevin Reilly is quoted as saying

 “Bringing it back for a final 13 allows us to provide the climactic conclusion that its passionate and loyal fans deserve. The amazing work the producers, writers and the incredibly talented cast and crew have delivered the last four seasons has literally been out of this world. Although the end is bittersweet, it’s going to be a very exciting final chapter.”

I hope he means that and isn’t just paying the show and its fan lip service. So frequently shows end without finishing the story arcs, Deadwood being one of the most unsatisfying examples. Perhaps other network executives will see the genius in doing this and we won’t end up waiting to find out the end of the story.

J.J. Abrams, co-creator and executive producer of Fringe, recognized how darned lucky he (and the show) are:

“All of us at Bad Robot are forever indebted to our viewers and the amazingly supportive Fox network for allowing the adventures of Fringe Division to not only continue, but to resolve in a way that perfectly fits the show.”

Fox is so committed, they even released a promo for Fringe‘s 5th season. Of course no new footage, but still dammnit I’m excited!

http://youtu.be/gvWqOZL8JXA

@Fringe

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Bob’s Burgers Celebrates Fox’s 25th Anniversary

I didn’t watch this past weekend’s very special celebration of the Fox Network’s 25th anniversary.  Apparently the Simpsons insulted Fox News

Even Homer knows better

and then the special showed a lot of clips from other Fox shows, like Married with Children and the great reality show, Joe Millionaire.

They also had newcomer (and best of their Sunday night lineup) Bob’s Burgers film a little clip. Unfortunately they cut most of it out. But luckily the good folks at Bob’s Burgers posted the entire clip. Huzzah! Burger genies for all!

@bobsburgers

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Prometheus Featurette – Now with more talking heads!

The marketing campaign for Ridley Scott’s Prometheus is staggeringly smart – fake Ted talks with Guy Pearce’s character Peter Weyland, fake commercials introducing the new android David (aka the always glorious Michael Fassbender)…and constant featurettes.

It reminds me of the barrage of videos and promotional pieces that HBO did before the second season of Game of Thrones aired. And it seems to have worked; GoT is doing quite well in the ratings, even leading this past Sunday night’s cable numbers.

So if that marketing strategy is any indication, this movie should be fairly successful.

Of course some of that success will have to do with the fact that the movie looks amazing. Even the scenes that are clearly waiting to be filled in by computer look good at this point. It’s still unclear what exactly the plot for this movie will be, but clearly some relation to the Alien series.  The music at the start of the featurette actually sounds quite similar to a lot of the music in Aliens. And of course the sets have the feel of the spaceship in Alien.

Of all the big movies coming out this summer, I think the anticipation is greatest for Prometheus. (After the Dark Knight Rises, that is. Because, let’s be honest, nothing is going to be out-anticipated by that film)

@Prometheus

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Minimalist Game of Thrones Posters

Vulture is a great resource for random stuff all around the interwebs.

Today’s offering is the link to a Etsy shop for minimalist movie posters.  They do some very cool Star Wars and superhero posters:

As Star Tours would say, "come visit Endor!"

Some great retro Captain America propaganda for you

as well a whole series of Lord of the Rings posters:

Rohan -- you can tell by the horse

Turns out, they also do amazing minimalist posters for the various Game of Thrones locations, clearly influenced by the series’ opening credits:

Winter is coming...

We have come to a dangerous place...

We do not sow...

As high as honor...

No house words for the wall...just ice, wights, and White Walkers.

These are really amazing. I just need to find the wall space.

@Gameofthrones

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New Trailer: Pixar’s Brave (now with more plot!)

Oh Pixar, how I love you.

At least when I pretend that you never made Cars and Cars 2 – the search for more merchandising. (And yes, I know that is a cheap Spaceballs rip off, thank you very much)

Some of the most gorgeous animation in the past decade+ has come from the artists at Pixar, from the bottom of the ocean with Finding Nemo

Dory, Marlin, and an awesome whale

 

to the stars with Wall-E

Wall-E in space

to the beautiful simplicity of a peasant dish in Ratatouille.

Ratatouille's eponymous dish

And beyond just being beautiful, these movies have souls. Somehow they make us care about a rat becoming a chef…and a robot holding hands with the object of its affection.  Talk about some serious magic.

The latest offering is getting some ink because the hero of the story is a heroine. Which is kind of funny since Disney movies tended to focus on the ladies, even if those ladies wore pretty pretty dresses and needed to be rescued by dashing princes. Ok, maybe the press is necessary.

Merida encountering magic

In Brave, Merida is a Scottish princess who doesn’t like wearing the princess trapping or behave like one or marry a nice Scottish warrior just like her parents would have her do. It is a bit cliched to say that she has a spirit as fiery as her hair, but there you have it. She takes on a quest, as all good movie heroines do, and I’m sure finds herself in the process. But even a simple and familiar story such as this will probably be transformed by Pixar into something memorable — and of course, visually stunning.

We find out for sure on June 22.

@brave

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