America’s Next Top Model: Clearly Tyra Didn’t Listen

AzMarie - or as Tyra calls her Androgenia...

Last week I let out a bit of steam that had been building about America’s Next Top Model for the past few years. Namely, I’m done with Tyra’s desire to bend the English language to her will and all that entails.

After watching last night’s episode, clearly, she didn’t listen to me.

What I find most appalling is how over the past couple of seasons she has become all about “branding” the model wannabes.  Sure, all I know about modeling I learned from TV, but I cannot believe that without Tyra’s declaration that someone is the girl next door and should be branded “Nextdoria”, that girl would never succeed.

Girl next door Laura gets down with some greek salad

In the All-Star season, the contestants were constantly being told they were “off brand”. Especially Laura, the sweet Southern girl who could pull out the hootchie mama when needed. Because she was only supposed to be the girl next door, whenever she turned on the sexy, she was berated by the judges.

Tonight it kept coming up as some of the girls decided they either had to embrace their “Intoxibella” name and super power or rebel against it. In either case, overall it didn’t really help them.

The challenge this week was thrusting the girls into a commercial situation. Tyra gives them her customary bizarre assortment of items – coffee that freshens your breath, facial tissues that glow in the dark, toilet papers that smells nice – and pushes them in front of the camera.  It seems as though Ty-ty gave these girls about 5 seconds of prep and absolutely no direction.

The kicker with this week’s challenge was that rather than having a judge or a guest judge decide the winner, a focus group was called in to analyze the different commercial pitches and man were those people harsh.  I do think that the questions were a bit leading “Who here didn’t like her?” or “Who here would buy that?”, but overall, yeah the girls did a crap job.  There was that one racist guy which was a bit of a shocker, but if they are trying to make this the real world, there are racist jerks galore out here.

Annaleise, or “Excite-to-Buy” (it hurts me on the inside to write that), won the challenge by talking about a TV remote that is also a free weight (WTF TYRA??) and won her British compatriots some diamonds.

But that wasn’t what unleashed discord amongst the Americans. Some of the girls picked on Kyle because even though she stumbled through her commercial, the focus group liked her and found her relateable.  The other girls felt that was just because of how she looked. Kyle got upset and started talking about how much she wanted to leave.  Of course the other girls decided that this meant that Kyle should pack her bags and go.

Anyone who has been watching this show for a while knows that there is always some girl each season who runs her mouth saying that she is going to leave, and it is usually sound and fury signifying nothing.  Every so often, there’s a Louise situation, but that is rare. And it is usually the girls who know that they are close to being eliminated that complain the most about the ones who act as though they don’t really want to be there. This week that was Eboni and Candace.  What they don’t seem to understand is that it’s not a zero sum game. Just because she doesn’t want to be there it doesn’t mean you should.

Nigel Barker, who is as we are reminded every single week, a noted fashion photographer

Photo shoot challenge for the week was an odd one. To celebrate US and UK culture, the models would wear fascinators (those outlandish British hats favored by the royals) and pose near muscle cars.  Yep. That’s a summary of hundreds of years of culture – hats and cars.  It was an OK, fairly boring shoot made slightly more interesting because noted fashion photographer Nigel Barker was photographing them and whenever a judge is doing the photos, the girls get a bit more on edge.

To no one’s surprise, AzMarie got top photo. Though this time the judges said that she seemed either aloof or too full of herself.  Eh. I think she is just reserved, which to the judges is blasphemy.  Some of the girls who tried to be who Tyra told them to be – Alisha “Gamazon” or whatever Tyra calls her, thrust her legs out since she was told her legs were her defining asset. That led to an odd photo:

No one is doubting that you have a leg my dear.

Kyle and Eboni decided to go against their Intoxibella brand, both deciding to go sexier than their Tyra given names.  Works for Kyle, not so much for Eboni.  Also, Eboni? Those pigtails make you look like a brat…and what come out of your mouth doesn’t help dispel those rumors.

Eboni, sexy on you is just awkward.

Bottom photos this week were, again to no one’s surprise, Seymone and Candace. Candace seems to be incapable of taking a photo where she looks like she is an alive human being rather than a manikin and she is sent home.

A huge dead-eyed doll.

Next week? Who knows. We’ll probably see some more hyped up competition between the Brits and the Americans and I’m sure Tyra will ignore my now second warning to cease and desist from butchering the English language.

But Tyra? Remember….this is your SECOND warning. Let’s not get to third, shall we?

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New Trailer Alert: Madagascar 3

Dreamworks' Madagascar 3

I enjoyed the original Madagascar. I tolerated Madagascar 2.  I was not looking forward to Madagascar 3.  It’s like Shrek, 1 was inspired, 2 was ok, 3 was just bad.

But after seeing this trailer, I might be convinced to see it in theaters. Not in 3D though. That’s enough of that.

The animation also looks better, as it should. The people less cartoony, for lack of a better word and the animals themselves have more definition.

Coming off his shitck at the Oscars, it’s sort of funny to hear Chris Rock as Marty the animated zebra.  But damn, that “Afro Circus” bit had me giggling.

I also got a kick out of the line, “only penguins and people can drive!”

As hesitant as I was once LMFAO’s “Sexy and I Know It” started in the background — it’s a KIDS movie, really? – it came together at the end with Sasha Baron Cohen’s King Julius and his paramour, a bear in a tutu who most likely rides in a little car.
Just like the ballet.

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Because Nathan Fillion Makes Everything Better

Sam and Tim, from The Daly Show

Tim Daly – the same from Wings, Sopranos, and Private Practice – has this great youtube series with his son, Sam called The Daly Show.

All so super corny, yes, but it’s definitely worth watching. The father/son dynamic is great and due to Daly pere’s connections, they get some great celebrities to stop by.

Ryan Reynolds is nice and all, but Fillion would have killed as the Green Lantern.

Best one so far is The Daly Show #7, The Daly Superheroes, featuring geek-superstar Nathan Fillion.The less said the plot of this episode, the better.
Note: To understand this, you must know this before viewing- Nathan Fillion and Tim Daly have both done voiceover work for the Justice League cartoons. Fillion as The Green Lantern and Daly as Superman.   

Note the items Fillion takes out of his pocket…Hammer anyone?  I could watch them fly for hours.

Green Lantern and Superman to the rescue!

Also, kudos to Michael Rosenbaum for his cameo (and jockeys).

Today a new episode guest starring Whoopi Goldberg went up, creatively called The Daly Whoopi.  Again, the less said ahead of time, the better.

Episodes are written and directed by Ben Shelton. A little less douche.

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Doctor Who’s Newest Companion

Those of us Doctor Who fans were saddened when we heard that the two current companions, Amy and Rory (Karen Gillan and Arthur Darvill) weren’t going to be returning after this upcoming season.

Mr. and Mrs. Pond during a happier time.

Amy and Rory have been essential for the 11th Doctor, played by Matt Smith.  The three of them formed an odd family unit that worked and made each of them better.

Get ready for the Tardis, Jenna

It was announced today that Jenna Louise-Coleman will be replacing Mr. and Mrs. Pond after their departure later this year, which we are being told will be “heartbreaking”.  Can’t these 2 ever catch a break?
Much like Billie Piper, Karen Gillan, and Freema Agyeman, the newest companion is an attractive young woman.  According to the Huffington Post, showrunner Steven Moffat assures us that

“She’s funny and clever and exactly mad enough to step on board the TARDIS.”

Is it wrong to say, I’ll believe it when I see it? Not that Moffat has steered us wrong, but my favorite single companion was Catherine Tate’s Donna Noble.  Donna and the Doctor never had a flirty relationship and were truly friends and companions.  I worry that we won’t get a similar dynamic with the new companion.

The Doctor and Donna. Turn left.

I do have enough love of Matt Smith and his ability to carry the show until the new

He wears a fez now. Fezzes are cool.

companion is settled in, so I’m keeping my fingers crossed that the show will remain as entertaining and as soulful as it has the past few seasons.

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Bob’s Burgers or Fish Rocket Burger

Second episode of the second season of Bob’s Burgers and it’s still awesome.

Before we get into Bob Day Afternoon, Eugene Mirman (Gene) shared this great interview with some of the cast members of the show.  The chemistry I talk about later is clearly evident:

Interestingly like The Belchies, this episode entitled Bob Day Afternoon was also based on a movie.  Bob’s Burgers hasn’t usually been movie-spoof based, but since they are only taking the basics from said movies (Goonies and Dog Day Afternoon) and not a direct satire, it worked for the show. There’s no character who has a boyfriend looking to have a sex change, nor is there anyone inciting the crowds by chanting “Attica! Attica!”

Simpsons, based on recent seasons I’m looking at you for how NOT to do satire.

Once again the show takes a basic premise – Bob is held hostage by an inept bank robber – and makes it sing.

There were just so many amazingly funny moments.  In particular, I’m thinking of the moment when Bob was leaving the restaurant to go deliver burgers to the bank robber across the street.  Linda and the kids clung to him for dear life, each of them shouting over each other. Gene’s yelling “What is sex??” was probably my favorite, followed by Linda telling Bob, “Don’t leave me with these frigging kids.”  A moment like that is possible only because the actors record their lines together and you can truly get a sense of vocal chaos because of that.  The actors’ chemistry is directly translated to the screen.

If Bob doesn't come back, Louise was going to have to write about Gene-dad!

Once Bob was in the bank, he was befriended by the bank robber Mickey played by SNL fave Bill Hader.  Hader’s Mickey was just the right sort of character for Bob’s Burgers – totally and utterly hapless.  At one point Bob is on the phone with the cops who ask him where Mickey is and Bob had to answer “He’s behind the counter playing banker”.

Louise’s desire for total anarchy continues to be a weekly highlight. Unsurprisingly, Louise befriended Mickey, albeit over the phone the cops were using to communicate with him.   Instead of writing her school assigned paper about an important person in her life on Bob, or on Gene-dad, she decides to write her paper about Mickey.  Schaal’s voice work on Louise’s her hysterical declarations of “HE’S MY DADDY!” when the cops tried to take the phone away from her were of special note this week.

I’m enjoying how the world of Bob’s Burgers is getting a little bigger every week. This week we see some of the other people Mickey is holding hostage in the bank including a total and complete douche whose Hummer aka his “sex-u-v” is rightfully keyed by the end of the episode.  The school’s self-certified counselor Mr. Frond was also among the hostages.  He and Bob play well against each other and after Bob tells Frond that he wouldn’t be released if they let the women and children go, Frond’s immediate reply was “I will tuck my junk so fast”.

Even though Bob talks Mickey into giving himself up, he makes a run for it and of course Mickey gets caught – even though he does liberate Tina’s $87 – I mean $200.  The episode ends with Mickey calling the Belchers from prison where we are treated to this exchange:
Bob: How’s prison?
Mickey: Awful.
Tina (in the background): Does anyone there need a pen pal?

I’m finding that comments like Tina’s above are why Bob’s Burgers plays so well upon multiple viewings.  There is always a muttered line or background visual joke that you catch only on second or third viewing.

However, the pinnacle of Bob Day Afternoon was Gene’s imaginary tour of Robot College, something you don’t need a second viewing to catch.

Vodpod videos no longer available.

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Greatest TV Drama in the Past 25 Years – End of Round 2

For those of you playing along at home, we have been following Vulture’s March Madness bracket of the Greatest TV Drama in the Past 25 Years.

The second round is over and here are the standings (winners in bold):

Sopranos vs The Shield: Not a surprise that Vic Mackey was whacked by Tony Soprano

Breaking Bad vs Twin Peaks:  A damned good cup of coffee is no match for some of Heisenberg’s blue meth.

X-Files vs The Wire: The truth might be out there, but so is Omar Little, Stringer Bell and Snoop.

Buffy the Vampire Slayer vs Mad Men: Don Draper continues to outcool everyone.

Over the next two days, here is the breakdown of the semi-finals:

Sopranos vs Breaking Bad

The Wire vs Mad Men

It is really interesting how that works – 2 HBO shows that have completed their runs against 2 AMC shows that are still active.

When the series is yet to be finished, can you really compare it to a completed project? Or is Breaking Bad or Mad Men so remarkable that they can beat out either of HBO’s most revered shows?  Either way, clearly these are the two networks that are truly creating compelling dramas.

I still think that this is the Sopranos to lose. It’s a show that helped change the face of television, bending the rules about what was acceptable and what sort of characters an audience would follow.  But we’ll know for sure on Friday.

And now a moment of silence for all the shows that have fallen along the way:
Six Feet Under

NYPD Blue
http://youtu.be/ME9B5hmiesw

Friday Night Lights

Battlestar Galactica
http://youtu.be/hvYVR6XXsHA

Lost
http://youtu.be/s96iG2lwam4

Deadwood

West Wing

My So-Called Life 

They’ll always be SOMEONE’s favorite.

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Bully – Some Thoughts About the Controversy

Warning: This post contains adult language and adult conversation

A few weeks ago I was sitting at the movies, waiting for whatever was about to start, watching the trailers.  After some trailers that clearly did not make an impact on me, the following trailer came up.

I’d heard about this movie Bully before.  And we’ve all heard about the topic.

From the official movie poster

More than ever, bullying in schools has become a problem.  Not a problem like an annoyance or something that needs a teacher to say “settle down”.  A problem where children as young as 11 are killing themselves rather than have to face going back to school and their tormentors.

I was extremely lucky.  Sure I faced my own slew of mean girls and had been on the receiving end of some nasty and snide remarks, but the magnitude and the scope was never severe.  I always had at least a couple of friends to help me through things and eventually everyone grew out of it.  I never had to face anything like what these kids are going through.

And what are they going through? Violence both physical and emotional.  Daily harassment, crushing insults.  Enough suffering that there’s even a phrase for it all, “bullycide”. There are even government sites like Stopbullying.gov which have strategies for recognizing and dealing with bullying situations.

So with all this, how could a movie about how bullying effected five families and led to two suicides not be considered required viewing for all students and middle school children?

Turns out, because of “naughty language”, this might not be possible.  The film was given an R rating.

According to the Motion Picture Association of America, this is why a movie would get an R rating:

An R-rated motion picture, in the view of the Rating Board, contains some adult material. An R-rated motion picture may include adult themes, adult activity, hard language, intense or persistent violence, sexually-oriented nudity, drug abuse or other elements, so that parents are counseled to take this rating very seriously. Children under 17 are not allowed to attend R-rated motion pictures unaccompanied by a parent or adult guardian. Parents are strongly urged to find out more about R-rated motion pictures in determining their suitability for their children. Generally, it is not appropriate for parents to bring their young children with them to R-rated motion pictures.

Roger Ebert recently wrote about this controversy. It would seem the movie got the R rating for using the word “fuck” too many times.  According to his post, the director Lee Hirsch was asked if he would bleep out the curse word if it would give the movie a PG-13 rating.  The director told someone at the Washington Post:

 “If you take that away [the impact of the actual abusive words that are being used], it’s one more notch against that experience. It’s one more big societal minimizing, or sort of, negating, of the full extent of terror that comes with bullying.”

Ebert gives some background to entire ratings system and censor boards, and suggests that there is a possibility the movie might be released unrated, bypassing this whole mess.

But what if the movie is branded with an R rating after all?  Isn’t it more important for kids to see the far-reaching impact of their actions rather than “protect” them from a bad word? A word, I might add, that I would imagine most of them know already.

And why is hearing the “f” word worse than seeing the violence and bloodshed that permeates so many of the PG-13 movies out there? One of last year’s biggest moneymakers was Transformers: Dark of the Moon.  This PG-13 movie showcased violence so gratuitous it was a miracle the city of Chicago was still standing at all by the end of it.  Is it better that a 13 year-old sees an office building full of people struck down by a murderous robot than see the real life pain of a fellow human caused by other human beings?

By trying to protect children, it seems we are doing them a huge disservice.   Turning a blind eye to the problem is adding just adding oxygen to fire and this whole debate is like adding a can of lighter fluid.  It is far less dangerous to your child to have to explain that we don’t use words like “fuck” in polite company if at all, than having to explain to your child why someone they know thought it would be better to end their own life than continue receiving abuse.

I haven’t seen the movie and don’t know how successfully the film deals with this problem. But don’t we owe to everyone who has been hurt by a bully to watch it and see?

For more information on the movie and the Bully Project visit their website.  I’d love to hear people’s thoughts on the matter…if you have them.

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See Carl from The Walking Dead Ruin Everything

After last night’s INSANE Walking Dead finale that almost made up for the first half of the season (Where’s Sophia?!), I think we can all agree, Carl is a pain in the ass.

Not only is he the most unsupervised child in the history of television – seriously, his parents would be on speed dial at Child Services under other circumstances – he is just awful.

So awful in fact that someone was inspired to create this brilliant tumblr account Get Out of Here, Carl.

Take a looksy:

Watch out Katniss! Carl will get in between you and your deer. (via GOOHC)

 

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A Hunger Game Cookbook or Clearly Someone Has a Sense of Irony

With only four days to go until The Hunger Games movie comes out, today I read about the release of a Hunger Games cookbook.

Apparently the definition of "hunger" escaped the author

I guess I shouldn’t be too surprised.  Since this movie release is primed to be the biggest thing since Twilight and Harry Potter, they’re slapping everything with The Hunger Games these days.  But a cookbook?

So much of the story at the beginning hinges on food and the hunger driving Katniss.  Without food she and Peeta wouldn’t have that singular moment that started their relationship.  Even the pivotal moment at the end of the book revolves around a food stuff.

But there is just something inherently wrong about a cookbook based on something called The HUNGER Games.  I don’t care how “unofficial” it is.

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Simpsons: Them Robots, Them Robots

Robot Parade by They Might Be Giants

Brent Spiner

Brent Spiner as Data. A Spock for the 90's.

That is about all that I can recommend from last night’s Simpsons episode.

Everything was just there, vacillating between boring and recycled. Even Lenny licking the frog after taking his drug test was just Homer not not liking toads from the episode Missionary: Impossible.

http://youtu.be/3Xd9CnUK3jA

This episode seems to want to make some sort of statement about the American workforce being downsized, the 99%, robots taking over our jobs…?  The title is a not so subtle take on Isaac Asimov’s I, Robot but never really reaches the proper levels of satire that title would indicate.

It starts out muddled with Homer not being able to drink for the weekend so he can pass his work mandated drug test and ends muddled with Homer and Mr. Burns being saved from rampaging robots by all the former Springfield Nuclear Power Plant employees who Burns had fired to hire said robots.

There’s no message anywhere, just a lot of starts and stops, and things that go nowhere.  The entire second act of the show with Homer working with the robots (who are all voiced by Brent Spiner aka Data from Star Trek: The Next Generation) and trying to befriend them is only so that he’ll drill into their heads and delete their initial prime directive.  I feel that there really could have been more there, but as with so much else in the episode, they go off in a new direction before they really reach any payoff.

Hasn't Homer befriended a robot before...?

And as with last week’s episode, How I Wet Your Mother, the plots are just more and more convoluted and with fewer and fewer resolutions.  And with fewer and fewer truly funny moments.

At this point, I wonder if the current writers have seen the previous seasons of the show.  Maybe it should be required viewing so that they can be reminded of how great things used to be and what our expectations are, instead of just trotting out the same ideas in lesser forms.  But clearly that is expecting too much.

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