Comic-Con Episode IV: A Fan’s Hope (and a review)

I’ve never attended Comic-con, but as someone who appreciates the world of comics, video games, and clearly genre TV and movies, it’s something I’ve toyed with.  But I only know what I’ve seen on the interwebs and TV coverage — that comics have taken a back seat to the Hollywood machine that is poised to take over a convention that was once a safe haven for comic book aficionados.

Nothing like a comic cover to promote a movie about Comic-Con

Morgan Spurlock happened to be at the screening I went to, giving an introduction before the movie started and then did a q&a afterwards.  While the movie would have been just as enjoyable on its own, Spurlock is a very entertaining speaker and did give some good background to what we had just seen (or were about to see) on the screen.

The origins of this documentary on Comic-Con started when in 2009, Spurlock had been hired to direct a special on the 20th anniversary of the Simpsons. At that year’s Comic-Con, he had a sort of American Idol tent set up where Simpsons fans could come and declare their love for Homer et al.  One guy dressed up as Carnage ran up and started shouting how much he loved the Simpsons.  He was in full body red latex paint and had totally forgotten about it until Spurlock asked him about it. He seemed a bit embarrassed and said that his wife helped paint him and then she and their kids dropped him off at Comic-Con; “she doesn’t get it” he said and it was then that Spurlock realized there was a documentary to be made about the subject.

Later that weekend, Spurlock then met Stan Lee as he explains in his director’s notes:

For my first hour on the ComicCon floor, I was in awe. I was transported back in to the body of that wide-eyed twelve-year old boy, staring in disbelief at my idols and inspirations-Sergio Aragones, Frank Miller, and the man himself, Stan Lee.

When I shook Stan’s hand, I thanked him for giving that young boy the confidence and the desire to want to tell stories, and I thanked him for helping me become who I am today. He looked at me, smiled that Stan Lee smile, and said, “You know what, Morgan? We should make a movie together. We should make a documentary! We should make a documentary about Comic-Con!”

He joined up with comic book god Lee, geek god Joss Whedon, and online critic Harry Knowles of Ain’t It Cool News, and came up with this love letter to fans.

Executive Producers of Comic-Con Episode IV

Holly Conrad and crew

The documentary follows the different strains of fans that attend Comic-Con and we get an overall scope of the massive size of the event and the large variety of the people who attend, including an army of Princess Leias in the bikini.  The doc’s focus is on  2 amateur comic artist both hoping to get a job from the portfolio review process, a costume designer who made elaborate Mass Effect costumes for the masquerade, Chuck Rozanski the amazingly outspoken and unfiltered owner of Mile High Comics (the largest US comic retailer) who was trying to earn enough money to pay off some debt, a collector whose goal was only to get the new 18 inch Galactus and feel complete, and the couple who had met at the previous year’s Comic-Con.

Galactus, devourer of planets

We follow each of them through the weekend, their ups and downs, and get to bask in their utter delight in being at Comic-Con.  Triumphs were as big as getting invited to draw professionally to buying that 18 inch Galactus to proposing to your girlfriend in Hall H in front of Kevin Smith and hundreds of fans.  Disappointments were as devastating as being told you weren’t ready to do what you had been dreaming about doing your whole life to barely taking in enough money selling comics to cover your costs. Chuck Rozanski was at the point where he was about to sell his most prized possession, a near mint copy of Red Raven issue #1. This was something he’d hoped to hold onto till he died, but the call of $500,00 was too big to ignore.  But mostly, everyone came away feeling pretty satisfied, if not elated.

Throughout the movie there are interviews with industry people – Kevin Smith, Seth Green, Frank Miller, Matt Groening, Grant Morrison, Robert Kirkman, and many others. They share their own fan experiences and their own views on the Comic-Con behemoth. There are also interviews with random attendees, each of whom is there for a different reason and each of whom is equally as excited to be there. These interviews are deftly woven into the stories of our main characters and go to serve the story at large, never seeming out of place or shoehorned in.

One of the dangers of a documentary about something like Comic-Con is that is can turn the focus on the subjects into one of mockery or conversely, it can ennoble them to too lofty a status. Spurlock manages to keep things on an even keel, while allowing you to invest in these people’s dreams.  Of course there are those attendees who still manage to be, shall we say, weird.  Particularly one man who was very very into KISS.  But overall, the tone of the documentary is very respectful to a group of people who don’t always command respect.

Spurlock talked about the fact that although the story about Comic-Con has been that Hollywood is taking over, he said that is the story that media coverage provides: look, it’s Angelina Jolie! And there are some freaks in costume!  But that there are really two worlds at Comic-Con and you should never forget that either is there. And that comics, while perhaps changing into a different medium – digital vs paper for the masses – they are still vibrant and thriving, and perhaps able to reach larger audiences than before.

At the Q&A, Spurlock said that at its heart, Comic-Con is a story about passion. Whether it is a passion for collection or creating art or just joining with other people who are as fervent in their admiration for a particular thing as you.

I had to stop and think about my own passions. I unabashedly love movies and TV, especially TV.  I get visibly excited talking about my lifelong love of The Simpsons or Monty Python and I can have long conversations parsing the details in the latest episode of Game of Thrones.  A highlight of my week right now is the inevitable call from my younger brother every Monday, asking me to explain something in the previous Game of Thrones episode because I have read all the books and know the backgrounds and futures of all the characters.  I sometimes see up to 3 movies in a weekend because I must see certain movies on opening weekend, crowds be damned. There have even been times that I knowingly pay to see a crappy film just because it is made by or starring or part of someone or something that I adore.  And I’m OK with that.

I am equally geeky about books and music.  It was a badge of honor at one point in my life that I had read all the Piers Anthony Xanth books; everything Stephen King had written; Neil Gaiman’s American Gods so many times I can recite parts of it in my sleep. I own five different recordings of Beethoven’s 9th Symphony and can tell you why each of them is different and why I need them all. In essence, I’m a collector but what I collect doesn’t come in boxes or go on walls; it sticks in my head.

Passion is important in life.  If you aren’t passionate about something, there is nothing that motivates you forward, pushes you to learn and experience more and more. I don’t understand the need to create costumes and recreate scenes from books or movie or video games, but understand the underlying desire.  The same way I was jumping out of my skin waiting for the first episode of the new Mad Men season, there are people out there thrumming their fingers in anticipation of the newest version of a video game. We are all part of the same larger family and something like Comic-Con and this documentary reminds us that, hey, that’s pretty darned cool.

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Mirror, Mirror: Close but no elaborately decorated cigar

When you are the first of two Snow White movies opening in one year, you want to be really really good.

Unfortunately Mirror, Mirror is merely good.

Taking the story of Snow White and trying to make it more of a feminist tale, Mirror, Mirror manages to be beautiful to look at but without too much underneath all that beauty.

Gorgeous costumes, wisecraking Dwarves, and some serious eyebrows

As with most fairy tales, the more interesting character is the evil one.  Good tends to be so boring, which is why are all so fascinated with the baddies.  Darth Vader is more interesting than Luke and the Evil Queen is more interesting than Snow White.  As said Evil Queen, Julia Roberts relishes playing the baddie.  Her Queen is more self-amused and vain than purely evil, however, and that might be part of why she’s not 100% believable.  Enjoyable but not a true Evil Queen.

Lily Collins, as in Phil Collins, is Snow White, leading with her eyebrows.  She’s very sweet and looks lovely as both the princess and the outlaw, but her Snow White doesn’t have much fire.  She wields a sword, saving the prince before he saves her, but it’s more comical than female empowerment. Her prince charming is played by Armie Hammer who actually surprised me. His physicality was impressive; he played a puppy much better than someone of his size, 6 foot 5, has any right to. It doesn’t hurt that he has a sense of humor about himself and has no problem making a fool out of himself, even when shirtless.

Nathan Lane is always winning as the Queen’s toadying lackey whose adventures as a cockroach are best left undescribed.  Lane manages to elevate his shtick to fit in with the film, borscht belt mixing in well with high fashion.

Michael Lerner in full costume

But for all its gorgeous sets (the Queen’s bedroom was particularly spectacular) and costumes by the late Eiko Ishioka that jumped off the screen without any stupid 3D effects, the movie left me wanting more.  We all know the end of the story of Snow White, it’s just a question of how you get there.  The dialog went in between fairy tale-esque and slangy and couldn’t seem to settle anywhere in between. There were moments that were truly funny, but so much of it felt hollow.  A big reveal at the end wasn’t all that surprising and just lacked any real emotion behind it.

The movie also decided to end on a musical number.  This was cute, but was a bit too reminiscent of every single Shrek movie to really work for me.  It has a bit of Bollywood flair, but just seemed out of place.
http://youtu.be/oUi-2353PHo

Director Tarsem Singh is known for his elaborate backgrounds.  The Cell, while a fairly vile movie, was beautiful to look at. The Fall seemed more of a success in that it was both a visual delight and had some dramatic meat to it. The Immortals (he seems to like those simple titles doesn’t he?) went back to The Cell for lack of meaningful content paired with something beautiful to look at, this time with Greek flair.  Mirror, Mirror lies somewhere in between his two extremes. Which is too bad to Mirror, Mirror…but not necessarily for Snow White and Hunstman

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Game of Thrones: Littlefinger Shows His True Colors

And this episode does a good job of living up to that.  There is a whole lot of sex and nudity. And though there might not be many deaths, it is always lurking in the corner, just waiting to pounce.  Last season Ned told Arya, “we have come to a dangerous place,” and Tyrion told Shae the very same thing. No matter where you are, Kings Landing, the Wall, on the road, you are always in a dangerous place.

I rewatched this episode on HBOGo with the interactive features.  These feature for the most part are most helpful to those who have not yet read the books and cannot remember the cast of characters or general names of places or things.  That being said, there are some interesting video interviews with everyone involved in production, from George RR Marting himself, to the actors, producers, and most enlightening, the craftspeople who worked on the show.

As everyone moves further away from each other and we learn more about new characters and locales, let’s break this down by character/location.

Arya – She is on her way to the Winterfell with Yoren that rest of the scum that has been picked up to serve at the Wall. We meet Jaqen H’ghar for the first time though his presence on screen would clearly mean more to those who have read the books. I like the actor, Tom Wlaschiha, they cast to play him as he managed to get the characters style of talk down without it seeming awkward.  Meanwhile the Gold Cloaks show up.  Of course Arya is convinced that they are there for her, but as part of their duty to hunt down and kill all of Robert’s bastards, they are really there for Gendry.  This is a shining moment for Yoren, and I never doubted for a moment that he would have done all the violence he promised.  Both Gendry and Jaqen have guessed that Arya is no boy, but both keep the secret. Gendry and Arya have the best interaction, after Tyrion’s below, from the episode. Gendry tells Arya not to insult those that are bigger than she is, to which she responds,

Honesty has never been Arya's problem.

Daenerys – Not much movement on this front, yet. She and the remains of her khalasar are slowly dying in the Red Waste.  Last week Dany sent out riders to find some sort of salvation. Alas Rakharo’s horse returns, but carrying only his rider’s head.  A clear message from one of the other Khals who are clearly disgusted and insulted by Dany’s attempt to remain khaleesi. As she attempts to comfort Irri who cries over Rakharo’s death and dishonor, Dany swears vengeance.  It is taking time for Emilia Clarke to fully embody Daenerys in all her glory, but you hear the glints of steel and resolve in her voice every so often, and this was clearly one of those times.

Tyrion/Kings Landing – Tyrion continues to make his mark as acting Hand of the King.  Of course Varys has found his way to Tyrion’s quarters and befriended Shae.  The conversation between Varys and Tyrion is chock full of innuendo, sexual and threatening.  As when Varys and Littlefinger spar verbally, this dialog is a pleasure to listen to and parse.  Tyrion is later seen with the rest of the Small Council as Cersei openly mocks Robb Stark’s peace terms.  When she asks about Jaime, everyone in the room is clearly uncomfortable.  If she believes that anyone else doesn’t think she is sleeping with her brother, she is clearly mistaken.

Tyrion’s dinner with Janos Slynt is Peter Dinklage at his best.

Tyrion cuts to the heart of the matter with Slynt

As he told Varys, “I know how this game is played.” He knows that the Lannisters bought Slynt’s betrayal of Ned Stark and Tyrion is in no hurry to put himself into the hands of someone who not only is so ready to betray, but who had no compunction about killing innocent babies.  He sends Slynt to the Wall and put Bronn as the head of the City Guard.  Bronn is a mercenary at heart so his answer to Tyrion’s questions “If I ordered you to kill a baby without question, would you do it”, was true and honest – without question? No. I’d ask how much you’d pay.  And to his credit Tyrion looks troubled by that answer. For as much as Tyrion likes to play the bon vivant whose only cares are wine, women, and song, he clearly has a conscience and sees himself in all those who are powerless and at the mercy of others.

Tyrion discovers that it was not Cersei who gave that mass murder order, but Joffrey. Cersei never falters in support of her son, even though you can see she is a bit troubled by his actions.  As Tyrion continues to mock Cersei, she gets in her meanest and most vicious jab at him – his cruelest joke was killing their mother as she gave birth him.  Tyrion’s hurt is palpable and a bit heartbreaking.

Elsewhere in King’s Landing, we see who Littlefinger truly is.  After an introduction that would satisfy any voyeur, we find out that Roz cannot, ahem, perform since she is still sobbing over the death of Meghan’s baby (Robert’s bastard that Ned visited last season). Baelish grabs another lady of the evening who has just finished with a customer, wipes away evidence of said encounter, and thrusts her into the arms of Roz’s dissatisfied beau.  Baelish then goes in to speak with Roz.

I cannot decided if the words were scarier than the delivery.  Talking of bad business investments and a man who would use a whore in ways that would never occur to most men, Littlefinger shows Roz exactly who he is and what matters to him.  Aiden Gillen who was so slimy as Carcetti on The Wire really frightened in this scene.  The quiet tone of a probably sociopath is just as scary as a knife, when wielded by the right person. It is no wonder that Roz promises to be happy the next day.

Theon/Pyke – I’m not ashamed to say that I literally clapped and cheered aloud when Pyke appeared in the opening credits. I’ve always found the Iron Islands and the Iron Born fascinating and I’ve been waiting a long time to see this.  Of course Theon screws the captain’s daughter on his way to the Iron Islands and of course he’s crude and cruel about it.  Telling the girl to try and smile with her mouth shut as she sits in front of him, stark naked and vulnerable is just despicable.  His homecoming isn’t the grand affair he expects and instead of his father standing there waiting to welcome him home, is an indifferent fisherman who has not time for such idiots.

Theon and the person I will call Asha no matter what HBO calls her

But Theon reaps what he sows (and yes, I mean to put a play on the Greyjoys’ house words ‘We do not sow’), when he meets up with a comely lass who offers to take him to Pyke and Balon’s castle. Because he is Theon, he immediately puts one hand on her breast and another down her pants.  And because his is Theon, unbeknownst to him, he has just put the moves on his own sister.  Balon is clearly disgusted by his son; he buys his trinkets and jewels rather than taking them from a corpse he made (gold price vs iron price), and he doubts Theon’s loyalty to the Greyjoys, having spent so long as a member of the Stark family. Balon tosses Robb’s offer of independent kingship in exchange for ships, and one wonders what lengths Theon will go to prove himself to his father…

We must give a shout out to Balon’s amazing kraken festooned fireplace.  Kudos to the set designers for this one.

Release the Kraken...fireplace!

Stannis/Dragonstone – I wonder how people who haven’t read the books feel about Davos or understand the situation with his fingers. Davos had been a smuggler and when he went legit, Stannis cut off the fingers of one hand as punishment and reminder for his illegal activities.  But instead of resenting him, Davos near worships Stannis. He doesn’t mind his humorlessness or seeming lack of personality; Stannis gave Davos and his family a title and a chance and for that Davos is forever grateful. So grateful that Davos is now talking fellow pirate Sallahdor Saan into sailing for Stannis.  Saan just wants to fuck Cersei, as all good pirates would.  Davos’ son is a bit more somber than his father and only wishes that his father would submit to the Lord of Light, the one true god.

Stannis, meanwhile, doesn’t let honor get in the way of allowing himself to be seduced by Melisandre.  And as soon as she promises him a son, he throws her on his war room table and has his way with her. Stannis knows that even if he manages to win the war against Renly, Joffrey, Robb, he still has no heirs and would just thrust the country back into war upon his death. And adulterer or no, he’s not about to walking blindly into that. Note: the table is a full map of Westeros and was one of the earliest prop pieces they created for this season.

Jon/Craster’s Keep – Back at Incest Central… Excuse me, the Incest Central that’s NORTH of the Wall… Poor sad Sam. Still talking about women he won’t have. Not even little inbred Gilly, who just wants to use him to escape her father/husband’s clutches.  Jon, thankfully, tells Sam to wise up and stop acting the fool. Clearly, the Old Bear’s warning last episode had some resonance for Jon. But not enough, because Jon follows Craster as he takes his latest newborn son out into the night.  It wasn’t that much trouble to figure out that Craster was killing any boys born to him, but it was more than that. Jon sees him offering these babies as sacrifice to the White Walkers. It is no wonder Gilly wants out. Jon turns to go back to camp but Craster conks him on the head and then – black screen.

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Cabin in the Woods – No Spoiler Review

First of all, holy crap.

Second of all, this is going to be a very difficult review to write.  The less you know about Cabin in the Woods, the better off you are.  I would suggest that if you haven’t seen the trailer, don’t run off to see it. I won’t even post it at the end of this review in an effort to help you avoid temptation.

So what can I say?  This is a comedy with serious horror elements and it’s very very Joss Whedon.  Like he’s done with so much else, he takes what we think we know about horror films, the tropes we have come to expect, the stereotypes we’ve all grown tired of, and throws everything into a blender until it’s unrecognizable.  Even the creepy guy at the abandoned gas station becomes more than just the typical harbinger of doom.

While you do not need to have an encyclopedic knowledge of horror films to enjoy Cabin in the Woods, the more you know about horror movies and horror movie monsters, the more of a kick you’ll get out of the movie as a whole.

Don't even try to figure out this image.

The movie is stolen by Bradley Whitford, Josh Lyman in West Wing, and Richard Jenkins who consistently steals any scene he’s in but you’ll most likely recognize him as Nathaniel Fisher Sr. in Six Feet Under.  I can’t really go into what they do and who they are, but needless to say I found myself looking forward to the moment they’d be back on screen.

The usual horror movie cannon fodder

That isn’t to say that the other parts of the movie didn’t work.  The five post-grad coeds who make their way to said cabin in the woods all do a great job portraying their designated characters, who are more subversive than you’d expect.  Kristen Connolly as virginal Dana and Fran Kranz as stoner Marty are particularly good.  The film was shot in 2009, well before Chris Hemsworth would become better known as Thor, and although the movie doesn’t show its age, this character is a bit of a nod to the delay in release.

And I think that’s about it. I cannot say more without shedding light on all the great twists and turns and grace notes that make this movie so gosh darned enjoyable.  But see it. You’ll never watch a horror flick the same way again…

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New Trailer: Looper

From Rian Johnson, the director Brick, that noirish film that came out a few years ago…

Twisty turny time travel hit jobs

This sounds intriguing…rubbing people out from the future in the past. Like time-traveling mafia hit men.

And it’s got Joseph Gordon-Levitt and Bruce Willis. And Emily Blunt.  And Jeff Daniels.  And Paul Dano. Basically, just a great cast with a great plot concept.

Good stuff.

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Want to watch Girls, but don’t have HBO? No problem

Well…no problem for the pilot episode.

The girls in HBO's Girls

According to Entertainment Weekly, the pilot episode of Lena Dunham and Judd Apatow’s new show Girls will hit

HBO.com, YouTube, DailyMotion, TV.com, and OnDemand channels on the Monday morning after the show’s April 15 premiere and will be available through May 14.

That’s a pretty sweet deal, though to catch the rest of the episodes you’ll either need to pay for them, or become friends with someone who has HBO and likes guests.

As I’ve stated before, I’m really excited for this show. Every clip or ad I’ve seen makes me want to watch it even more. So this Sunday will be a cornucopia of TV wonderfulness: Game of Thrones, Girls, Mad Men.  I feel almost unworthy.

HBO will also be doing the same thing with their new comedy Veep, starring Julia Louis-Dreyfus as the Vice-President of the US.  This also looks pretty damned funny.
http://youtu.be/soJggb_jDL8

Also — BUSTER!  Hey brother.

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Garfunkel and Oates – Know them, watch their new video

Garfunkel and Oates (not sure which is which)

Garfunkel and Oates or as they are better known, Riki Lindhome and Kate Micucci, follow in the vein of Weird Al and create comic songs.  I don’t know if they say they are songs that are funny or comedy in song form, but either way, I’m a big fan.

Both Riki and Kate have been all over the TV. Lindhome has been on Gilmore Girls and The Big Bang Theory, Micucci is familiar from Scrubs and Raising Hope.  They’re also big in the podcast world; Lindhome has her own podcast called “Making It” on the Nerdist network and Garfunkel and Oates are frequent visitors to many of the big comedy podcasts including Doug Loves Movies.

Apart they’re great, together they’re even better.

Case in point their new video for the song “My Apartment’s Very Clean Without You.” Not only is the animation a lot of fun, even for someone like myself who isn’t a cat person, but the content of the song itself is incredibly bittersweet and poignant.  And seriously, the cats as all the different items is a great touch.

For a listen/look at some of their more amusing songs, I offer you my favorites “Pregnant Women are Smug” and “This Party Took a Turn for the Douche.”

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Matthew Bohmer’s Transformers Audition from Glee

I watch Glee. I’m not proud of it. I don’t even like it all that much anymore. But I watch it because I started and damnit if I’m not going to finish it.

I’m dedicated like that.

But this season has been making it really tough to stick by that dedication.  Season 1 was new and fun and interesting. The fake baby stuff was stupid, but the rest of it was enough to carry us through. Season 2 muddled along for the most part, but had some good episodes sprinkled in to make me feel I wasn’t totally wasting my time. Season 3, though…this has been rough.

This week’s episode, first one back after a month’s hiatus that kept us on “edge”whether Quinn would survive her car accident (texting whilest driving, tsk), whether Rachel and Finn would get married, and…honestly? I just don’t care.

Not usually my type, but he is pretty dreamy.

However, the good in this week’s episode came in the handsome package of Matthew Bohmer of White Collar and Chuck fame.  He played Blaine’s (Darren Criss) older brother who has some sort of fame due his starring in a Free Credit Report commercial. There was some definite sibling rivalry between them. Not only did I enjoy his acting, and his acting lessons (point and yell a lot), but he is a pretty decent singer.
http://youtu.be/0cay2dnuhcs

And yeah, that’s just a great song. Great.

At one point in the episode Bohmer’s character said he got an audition for a new Michael Bay movie, currently titled Untitled, which he said was clearly code for Transformers 4.  And thanks to the glory of the interwebs, we can see his audition tape.  Serious acting genius here.

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Game of Thrones Theme…sung by the Stark kids?

This borders on the too cute to be a part of Game of Thrones.

Arya and Bran lookin' adorable

All the Stark kids, Sansa (Sophie Turner), Arya (Maisie Williams), and Bran (Isaac Hempstead Wright), got together to sing along with the theme music for the extras of the season 1 blu-ray DVD.  And it’s just as adorable as it sounds.

Nice to know that all the blood and death and incest on-set doesn’t really effect them.  But would it have hurt to get the direwolves doing harmony?

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Wait…We DON’T know where Springfield is?

Best Week Ever, in a post lovingly titled Matt Groening Did Not Reveal the Location of Springfield, You Stupid Internet, feels that all of us on the interwebs were a bit too hasty to read into Mr. Groening’s interview with Smithsonian Magazine, saying:

Matt Groening revealed the location of the Springfield which inspired him to name the Simpsons’ town “Springfield.” He’s not saying that the Simpsons characters officially live in Oregon, and even if he did, that wouldn’t retroactively transform the world of the show to have taken place in Oregon this whole time. Groening also based the Simpsons’ names on those of his family, but this doesn’t mean that the Simpsons in any way are the Groenings; just because the Springfield thing is an intentionally vague joke-mystery doesn’t mean that the real-life inspiration for it just ‘becomes’ the in-show truth.

I see their point, but I still think the idea that Springfield was inspired by a real Springfield takes something away from the mystery.

I can’t imagine anyone really thinks that Springfield, OR looks like the one we see every Sunday or that they actually live IN Oregon.  But the thought that it is not a creation of pure imagination and whimsy is where we feel a bit deflated.

And more to the point, the 20+ years of Springfield’s location, shrouded in secrecy, means that any statement by Groening that sheds any light on the subject is going to be parsed to death. Whether it is because we want to hold on to the early days of the show and its location-teasing or because we are genuinely interested, yes, this whole subject is “link bait”, but not as far fetched as BWE would suggest.

I still stand my supposition that any statement that opens up the subject is a harbinger of the end, and that is something I’m pretty OK with. Sad, but dear god it’s time.

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